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The celluloid closet was finally opening up, but there was still a long way to go when it came to representation.
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Sexual liberation was upon us in America, and so it followed that the monsters of horror became hypersexualized, too.
The Vampire Lovers With censorship rules relaxing in a post-code Hollywood, the folks at Hammer Films decided to capitalize with this adaptation of Carmilla, which focuses on a young female vampire named Mircalla Karnstein.
Although she was yet another queer villain, she was more sympathetic to s audiences due to her desire to be purged of what made her an Other.
Feminist and civil-rights activism were both on the rise.
The Hays Code was about to be scrapped in favor of the rating system.
In other words, whatever was left of the Legion of Decency was about to be sent to its cold, boring grave.
Similarly, on the queer horror front, lesbian vampires were about to turn from shame-filled Sapphic erotica sarah nicole becky like the Countess Marya Zaleska into sexually forward predators, and a real, actual lesbian character — not a ghost or a suggestion of one — would appear as a protagonist in The Haunting.
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